June 23, 2018
New York City
How did I write what I wrote?
Settling in.
A folding chair. Notebook open on the table in front of me.
Water bottle set just so. Pen in hand.
I take a breath.
A beat.
Another beat.
What will I do if the words won't come?
Will I just sit here forever,
awkward in silence,
eyes watching the page
like students waiting for the last bell of the day?
An opening phrase flits through my mind
and I pin it down with my pen.
What you want is practice, practice, practice. It doesn’t matter what we we write, so long as we write continually as well as we can. I feel that every time I write a page with real effort, even if it’s thrown into the fire next minute, I am so much further on. - C.S. Lewis
Wednesday, September 26, 2018
Wednesday, September 19, 2018
A Fragment
June 19, 2018
New York City
A Fragment.
Perhaps to be human is the impulse
to give love and seek love
beyond expectation of return,
hands reaching out, fumbling in the dark,
one last gasp of hope,
again,
again,
again.
New York City
A Fragment.
Perhaps to be human is the impulse
to give love and seek love
beyond expectation of return,
hands reaching out, fumbling in the dark,
one last gasp of hope,
again,
again,
again.
Wednesday, September 12, 2018
Written on the Third Floor of the Museum of Jewish Heritage
June 18, 2018
New York City
Written on the Third Floor of the Museum of Jewish Heritage
Air. Space. Quiet echoes.
The view of the water and
the Statue of Liberty across it
Room to breathe and reflect
Room to make sense and make space
Room not to let go, but to hold loosely
a fragile thought pulsing with life
like an egg in the palm of your hand
or a bird
or the promise of wings.
New York City
Written on the Third Floor of the Museum of Jewish Heritage
Air. Space. Quiet echoes.
The view of the water and
the Statue of Liberty across it
Room to breathe and reflect
Room to make sense and make space
Room not to let go, but to hold loosely
a fragile thought pulsing with life
like an egg in the palm of your hand
or a bird
or the promise of wings.
Wednesday, September 5, 2018
Where I'm From, Version C
June 17, 2018
New York City
Where I'm From
I'm from saguaro cactus,
from the prickly pear I scurried past
on my way home from the bus stop.
I'm from digging holes in the backyard,
from ground so hard and dry
I had to drown it to make it yield.
I'm from white rice, from egg noodle soup,
from dim sum and barbeque pork buns.
I'm from tacos, from chorizo,
from horchata and limonada.
I'm from the jobs my father worked
to put himself through college.
I'm from the English my mother learned
to get along in a new country.
I'm from perms, from scrunchies,
from Mommy brushing my hair too hard.
I'm from day trips to the White Mountains
to play in the snow, then driving back
to the desert heat by evening.
I'm from sheet music, from music stands,
from Mommy's piano in the sitting room.
I'm from singing along to the Bee Gees with Daddy in the car.
I'm from piano lessons, from music competitions,
from recitals at the mall.
I'm from stuffing my flute case into my backpack for school
then carrying it home again.
I'm from books, from stacks of papers,
from students' handwritten thank you notes.
I'm from Saturday mornings at the library
and Saturday afternoons reading
on the living room couch.
I'm from Nancy Drew and Anne of Green Gables
and Encyclopedia Brown and Meet Felicity.
I'm from stealing paperback romance novels from my mom
and John Grisham thrillers from my dad.
I'm from reading to my sister on the bottom bunk after bedtime,
huddled together, a cocoon
of blankets and words and love.
New York City
Where I'm From
I'm from saguaro cactus,
from the prickly pear I scurried past
on my way home from the bus stop.
I'm from digging holes in the backyard,
from ground so hard and dry
I had to drown it to make it yield.
I'm from white rice, from egg noodle soup,
from dim sum and barbeque pork buns.
I'm from tacos, from chorizo,
from horchata and limonada.
I'm from the jobs my father worked
to put himself through college.
I'm from the English my mother learned
to get along in a new country.
I'm from perms, from scrunchies,
from Mommy brushing my hair too hard.
I'm from day trips to the White Mountains
to play in the snow, then driving back
to the desert heat by evening.
I'm from sheet music, from music stands,
from Mommy's piano in the sitting room.
I'm from singing along to the Bee Gees with Daddy in the car.
I'm from piano lessons, from music competitions,
from recitals at the mall.
I'm from stuffing my flute case into my backpack for school
then carrying it home again.
I'm from books, from stacks of papers,
from students' handwritten thank you notes.
I'm from Saturday mornings at the library
and Saturday afternoons reading
on the living room couch.
I'm from Nancy Drew and Anne of Green Gables
and Encyclopedia Brown and Meet Felicity.
I'm from stealing paperback romance novels from my mom
and John Grisham thrillers from my dad.
I'm from reading to my sister on the bottom bunk after bedtime,
huddled together, a cocoon
of blankets and words and love.
Wednesday, August 29, 2018
Once More, With Feeling
My childhood is littered with abandoned journals.
My inordinate love of books has long been a defining characteristic of mine, and so I suppose it is only natural that when my various loved ones are looking for a non-book gift for someone who loves words, well, it's quite frequently a blank journal.
Like many bibliophiles and school nerds, I also harbor a (slightly un)healthy, long-standing passion for stationery, and so I delighted in each of these gifts. Lined, blank, spiral-bound, book-bound, hardcover, softcover--I loved them all.
The trouble, for me, has always been filling them.
Perhaps it was that dreaded paralysis of the blank page, perhaps it's my unfortunate habit of leaving large projects unfinished, or even my brain's maddening need for regular novelty, but, invariably, I would start each of those notebooks with the best of intentions. I would write two or three really solid entries, then log in a couple of half-hearted attempts, then I would leave the rest of the journal blank, never to be filled. Eventually, the notebook would get lost under a pile of clothing or shoved beneath my bed, unused and forgotten.
When I eventually unearthed each of those barely used notebooks months or even years later, each one felt like a failure. What did it say about me, that I couldn't manage something as simple as keeping up with a journal?
I think more than anything else, it was this inability of mine to maintain a consistent writing habit that caused me to believe that I would always be just a reader, not a writer. Didn't writers need to write, like breathing? Didn't the words rush through their veins, like a river in flood, desperately searching for an outlet? I must not have had whatever special compulsion it was that those people, the real writers had. I didn't have that need, or that Gift.
But I am slowly learning that it isn't a constantly accessible, always replenishing flow of words that defines a writer, but the determination to keep picking up that pen or pulling that keyboard closer and trying again, no matter if it has been two hours or two years.
So it goes with this blog. Thanks for sticking around.
My inordinate love of books has long been a defining characteristic of mine, and so I suppose it is only natural that when my various loved ones are looking for a non-book gift for someone who loves words, well, it's quite frequently a blank journal.
Like many bibliophiles and school nerds, I also harbor a (slightly un)healthy, long-standing passion for stationery, and so I delighted in each of these gifts. Lined, blank, spiral-bound, book-bound, hardcover, softcover--I loved them all.
The trouble, for me, has always been filling them.
Perhaps it was that dreaded paralysis of the blank page, perhaps it's my unfortunate habit of leaving large projects unfinished, or even my brain's maddening need for regular novelty, but, invariably, I would start each of those notebooks with the best of intentions. I would write two or three really solid entries, then log in a couple of half-hearted attempts, then I would leave the rest of the journal blank, never to be filled. Eventually, the notebook would get lost under a pile of clothing or shoved beneath my bed, unused and forgotten.
When I eventually unearthed each of those barely used notebooks months or even years later, each one felt like a failure. What did it say about me, that I couldn't manage something as simple as keeping up with a journal?
I think more than anything else, it was this inability of mine to maintain a consistent writing habit that caused me to believe that I would always be just a reader, not a writer. Didn't writers need to write, like breathing? Didn't the words rush through their veins, like a river in flood, desperately searching for an outlet? I must not have had whatever special compulsion it was that those people, the real writers had. I didn't have that need, or that Gift.
But I am slowly learning that it isn't a constantly accessible, always replenishing flow of words that defines a writer, but the determination to keep picking up that pen or pulling that keyboard closer and trying again, no matter if it has been two hours or two years.
So it goes with this blog. Thanks for sticking around.
Tuesday, June 20, 2017
Poem: Signs of Life
Written on a "writing marathon" walk around ASU campus during CAWP Summer Institute.
Signs of Life
I do not always know their names
But the shapes are familiar
Baked into my childhood memories
By years of sun and heat:
Wide, flat paddles covered in spikes
Tinged purple at the edges
Clusters of tall spears
Bursting in all directions like fireworks
Dusty green limbs, a folded lady’s fan
Stretching up and out like fingers toward the sky
Low wide barrels, ridges and valleys lined with needles
Always squatting alone
While their taller cousins reach long arms toward their neighbors
But also up and up toward cloudless, unrelenting blue.
Sunday, June 18, 2017
Where I'm From, Part B
2017-06-13
Where I’m From, Part B
I am from dirt and rock
And slowly withering grass—
“Desert Landscaping”.
I am from the overgrown oleander bush
Standing guard beneath our front window—
Look, but don’t touch.
I am from too-big gardening gloves,
From pulling weeds in the yard with Daddy
And ice water after, tooth-achingly cold.
I’m from tacos and dim sum,
Hot tea and cool salsa,
Tamales and fried rice.
I’m from Chinese nursery songs with Grandma,
And English ones from PBS,
From Daddy’s cracked hands
And Mommy’s curly brown hair,
From staying up too late reading books to my sister
In the bed whose bottom bunk we shared
And filled the top with a zoo of stuffed animals.
I am from music, always, everywhere,
From piano, trumpet, flute, stereo, television, and portable sing-along cassette player,
From boy bands and hymns, the Bee Gees and Disney,
From “Peace Like a River” and “Hit Me Baby One More Time”,
From singing and listening and playing and rehearsing
and spontaneous bursts of song like uncontained joy.
and spontaneous bursts of song like uncontained joy.
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2017-06-13 Where I’m From, Part B I am from dirt and rock And slowly withering grass— “Desert Landscaping”. I am from the ove...